Picture this: you're kicking back on a warm evening, needle dropping on a record that transports you straight to the convivial bars of Sierra Leone. That's the magic of Sooliman Ernest Rogie, the Jimmie Rodgers of West Africa, and his 1994 album Dead Men Don't Smoke Marijuana. Rogie passed soon after its release at 67, leaving behind this mellow masterpiece that fuses his homeland's palm wine highlife with American country, blues, and gospel influences. It's not flashy—it's deeply soulful, like a conversation with an old friend over a shared smoke.
Born in Sierra Leone, Rogie honed his baritone in the lively palm wine music scene, where guitars mimic marimbas and songs flow like the sap from palm trees. He emigrated to the US in 1973, then England, carrying his unique sound. This album captures that journey: sparse but rich arrangements featuring British double bass legend Danny Thompson and guitarist Alfred 'Kari' Bannerman. No overproduction—just pure, grainy depth that lets Rogie's voice shine.
Each song feels handcrafted, with Rogie's warm baritone weaving stories of love, loss, and laid-back living. The music's relaxed tempo invites you to sway, maybe pour a drink, and let worries fade.
In a world of auto-tuned hits, Rogie's authenticity stands out. It's therapy for music lovers craving something off the beaten path—ideal for late-night spins, road trips where the landscape blurs, or gifting to someone who digs world music fusions. Fans of Ali Farka Touré or Ry Cooder will feel right at home, but even country purists get hooked by the twang. Press play, and you're not just listening; you're immersed in a cultural crossroads that soothes the spirit.
Grab this slice of musical history before it vanishes like palm wine at a party. Your speakers (or turntable) will thank you.
