Ever stumble upon a record that feels like a warm conversation over a shared drink? That’s exactly what S.E. Rogie’s Dead Men Don’t Smoke Marijuana delivers—a mellow, heartfelt album rooted in the convivial rhythms of Sierra Leone’s palm wine music tradition.
Sooliman Ernest Rogers, better known as S.E. Rogie, brought his unique baritone to the world stage after leaving Sierra Leone in 1973. Nicknamed the 'Jimmie Rodgers of Sierra Leone' for his country-tinged style, he settled in England by the time this album dropped in 1994, just months before his death at 67. What you get here is pure soul, without flashy variety—it’s all about that deep, grainy authenticity that pulls you in.
Backed by British double bass master Danny Thompson and guitarist Alfred 'Kari' Bannerman, Rogie weaves together country ballads, bluesy undertones, and gospel flourishes. Take 'Koneh Pelawoe (Please Open Your Heart),' a tender plea that hits right in the chest, or 'A Time in My Life,' which rolls like a gentle country stroll. Then there’s 'African Gospel,' lifting your spirits with its earthy faith, and the title track, a cheeky, dank nod to relaxation that embodies the album’s easy vibe. Each song feels lived-in, like stories passed down over generations.
Imagine spinning this on a rainy afternoon, the bass thrumming softly as Rogie’s voice fills the room with far-off lands and personal reflections. It’s music for when you want something genuine, not produced to perfection but real enough to connect. Fans of world music or vintage blues will find a gem here—timeless tracks that invite you to slow down and listen closely.
Whether you’re exploring African roots music or just seeking a chill album to unwind, Dead Men Don’t Smoke Marijuana offers that rare blend of cultural depth and universal appeal. It’s the kind of record that grows on you with every play, revealing new layers in its simple, soulful arrangements.
